Tag Archives: Colin Farrell

Intermission: Review

7 Aug

Intermission is a 2003 black comedy about a young couple and their friends and family. Set in Dublin, the movie’s filmed in a documentary style and has multiple intersecting storylines that address love, crime and revenge.

The movie follows:

– Oscar, a man fearing that he’s lost all sexual function and can’t find a stable relationship.

– John (Cillian Murphy), a dissatisfied grocery store clerk who recently broke up with his long-time girlfriend Deirdre (Kelly MacDonald) as a “test” and regrets it once Deirdre moves on with Sam, a middle-aged married man.

– Sam’s wife of 14 years who can’t understand or cope with her failed marriage and sets out on a rage spree.

– Deirdre’s sister, Sally (Shirley Henderson), who’s so traumatized by her last relationship that she stopped physically taking care of herself and grows a mustache.

– Lehiff (Colin Farrell), a young thug that recruits John in a robbery where love and revenge will intersect.

The best way to describe Intermission is a darker and grittier version of Love, Actually. Like Love, Actually there’s an amazing ensemble cast that includes Cillian Murphy (28 Days Later, Red Eye, The Dark Knight Rises), Kelly MacDonald (No Country For Old Men), Kelly Conron (Rome), Colin Farrell (Total Recall) and Colm Meanie (Star Trek: The Next GenerationDeep Space Nine).

Essentially Intermission is a romantic-comedy, but a far more cynical one. The character’s are realistic, complicated and at the same time, crude and stupid. For example, after John learns that Deirdre is moving in with Sam, he storms over to Deirdre’s house calling her a blaggard and a whore on the street for everyone to hear. Interesting behaviour for someone who ended the relationship. Cillian Murphy’s performance as John is heartfelt and sympathetic. That doesn’t mean John’s particularly smart or interesting, more that his motivations are understandable.

Colin Farrell has a small, but memorable role as the unpredictable career criminal Lehiff. One minute he’s charming a pretty young waitress, the next he’s jumping on a car and threatening the driver with a shovel. Shirley Henderson (Bridget Jones’s Diary) is straightforward and brutally honest as Sally. Disgusted by her sister taking up with a married man, Sally tells the new couple that she’s can’t sit in a room with them because of “the smell of infidelity.” In a movie with so many libertines, the addition of a moral and traditional character is refreshing.

Thanks to John Crowley’s tight direction and a well-written script, you never lose track of the character’s or how they know one another. It’s a fantastic directorial debut that gives audiences hope that not all romantic comedies are absolutely horrible. If you’re sick of formulaic and dull love stories check out Intermission.


Total Recall: Review

6 Aug

The reboot of 1990′s Total Recall opened in theatres this weekend. Unlike its predecessor, the new Total Recall has a family friendly rating, huge production budget and loads of CGI. Mutants and Martians have been replaced by beautiful women, sleek new robots and highly advanced technology.

Colin Farrell plays Douglas Quaid, a dissatisfied factory worker who may be a secret agent under the employ of the evil Cohaagen (Bryan Cranston) or working for resistance leader, Matthias (Bill Nighy). This version takes place in a post-apocalyptic world where only the UK (the United Federation of Britain) and Australia (the Colony) remain after another world war and chemical warfare. The two land masses are connected by a huge elevator called “the Fall” that transports workers from the poor crowded Colony to the rich and affluent United Federation of Britain (UFB).

Quaid lives a one room apartment in the Colony with his wife, Laurie (Kate Beckinsale). Though Quaid’s marriage seems solid and stable, he finds himself dreaming about another woman (Jessica Biel). Trying to add some excitement to his life, Quaid goes to Rekall – a company that can implant a variety of fake memories into clients’ minds. Quaid decides to implant memories of being a secret agent, but before the procedure can start federal agents break into Rekall and everything goes wrong.

Acting on instinct, Quaid kills all the federal agents and escapes home to his wife. While comforting her distraught husband, Laurie attempts to suffocate him. After an intense fight scene, Laurie reveals that she’s a federal agent employed by Cohaagen to pose as Quaid’s wife. A confused Quaid manages to outrun Laurie and begins to unravel the mystery of his identity.

The first twenty minutes of the movie are promising. Farrell seems immersed in the character and is believable as an unhappy Douglas Quaid. He spends his nights shuffling around a dirty overcrowded city contemplating how and why his life has turned out this way. Unfortunately, once Quaid heads to Rekall, director Len Wiseman abandons the characters in favour of making a full-fledged action movie.

The explosions, shoot-outs and fight scenes dominate the movie and there’s every kind of chase scene imaginable. Beckinsale relentlessly pursues Farrell and Biel through city streets, in an elevator, in a car, in “the Fall” and then some more. Len Wiseman obviously thinks very highly of his lovely wife because throughout Total Recall, Beckinsale is kicking ass, taking names and looking smoking hot while doing it.

In comparison, resistance fighter Melina (Jessica Biel) seems infinitely boring and bland. Though she desperately wants Quaid to remember his role with the resistance and their relationship, her character’s sad and slightly pathetic. She’s a far cry from Rachel Ticotin’s tough as nails Melina in the original.

After a solid hour of explosions and fight scenes, Quaid meets Matthias and audiences finally start to learn more about Douglas Quaid, whose real name is Carl Hauser. Our hero learns Hauser was a UFB agent that switched sides and joined the resistance after meeting Melina. Rather than discuss Hauser’s role with the resistance or why he switched sides, Farrell and Nighy have a trite and tiring conversation about what really defines a person – their memories or their present actions. Forced and tacked on, the conversation leads to nothing and Nighy seems as bored and uninterested by the dialogue as the audience is.

Despite its production value, talented actors and special effects, Total Recall is uninspired and lacks the charisma, fun and flamboyance of the original movie. Ultimately, Total Recall will turn a good profit, but disappear into the realm of forgettable action movies.

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