Envy of T-1000

17 Jul

For the last few months I have been training for a 10 km run. The run is on July 26th and at this point I can run about 8 km before collapsing in a pathetic pile of mush. Running is the only form of exercise that I can do on a regular basis. Anything else I can’t really stick with. I feel it’s important to have inspirational athletes to look up to when training. In my case, I look to the T-1000.

T-1000 is the shape shifting futuristic robot assassin from Terminator 2 – Judgement Day. As if that’s not cool enough, he runs like a badass. I first saw the Terminator sequel when I was 8 years old and I have always envied the T-1000. It’s horrible to say, but the soulless villain or robotic killing machine is always my favourite character.

Check out the T-1000 running below and then you’ll understand my love.

T-1000

 

Dawn of the Planet of the Apes – Review

16 Jul

blog

My sister’s birthday was this past Saturday. In an effort to “keep it classy” we decided to do a traditional English tea at the Fairmont Palliser Hotel followed by watching the re-imagining of a classic – Planet of the Apes. Growing up, I loved Planet of the Apes, but my love was nothing compared to my sister’s. She remembers things about the series that I forgot long ago.

When Rise of the Planet of the Apes came out in 2011 starring James Franco and John Lithgow, we were convinced it would be a disaster of epic proportions – think Cutthroat Island and Waterworld. By the movie’s end, I was openly crying and my sister was misty-eyed. The plot was surprisingly well laid out and it actually made you think a little while being entertaining. Three years later, we sat in the theatre eagerly waiting to catch up with our favourite primates.

Dawn of the Planet of the Apes has a different tone than its predecessor. In Rise, we see Caesar’s growth, struggles and his eventual fight for freedom. In Dawn, its 10 years after the Simian Flu has wiped out almost all of humanity. Caesar (Andy Serkis) has become a leader and established a community of apes. The apes believe humanity’s extinct until they come across a group of survivors in their forest. The humans want access to a dam on ape land that can provide electricity to their small city. Caesar is forced to make decisions that could result in war.

The re-emergence of humans creates a divide between the apes. Caesar wants to help the humans and hopes that one day; they can all live together peacefully.  His second in command, Koba (Toby Kebbell), was experimented on in a lab and wants nothing to do with the humans. On the human’s side, it’s almost a parallel storyline. Malcolm (Jason Clarke) and his girlfriend Ellie (Keri Russell) trust Caesar, while their leader Dreyfus (Gary Oldman) is more than willing to kill off the apes if they cause a problem. The theme that runs throughout the movie is how similar the apes have become to humans and that they’re capable of making the same mistakes in the future. Viewers have to decide whose side they’re on.

The CGI is seamless. The battle sequence where the apes storm the human city is amazing and has a bit of everything – guns, horses, fires, explosions, tanks…you name it. The apes’ faces and bodies are highly detailed and you can tell the characters apart easily.

Andy Serkis’ and Jason Clarke’s performances drive the movie. The patriarchs try to do what’s best for their communities’ despite their mutual respect and sympathy for one another. Serkis is at his finest. His movements and expressions give Caesar dimension while keeping everything subtle and subdued.

Dawn of the Planet of the Apes needs a third installment since the Apes series is only getting better.

Hail Caesar!

Acting

15 Jul

Oh Patrick

 

Boyhood

10 Jul

I recently went on a family trip to Slovenia. You’ve never heard of Slovenia, right? Think of it as Croatia’s introverted little brother. The flights plus the layovers to Slovenia are brutal and total about 30 hours of sitting and staring. While on my first 9 hour flight, I read an article in Elle praising Richard Linklater’s Boyhood.

Linklater’s an interesting director/writer. His previous credits include Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013). All three movies follow Jesse (Ethan Hawke) and Celine (Julie Delphy) over their 20 year relationship. The movies are about everyday life and how relationships develop, change or collapse over time.

Linklater is just about to release his newest film, Boyhood, which follows Mason Jr. (Ellar Coltrane) from age 5 to 18. The movie examines how Mason Jr. deals with his parents’ (Ethan Hawke and Patricia Arquette) divorce. Most movies that span a character’s life have a few actors playing the same person at different stages. What’s cool about Boyhood is that Linklater filmed a few scenes intermittently over a 12 year span – which means Ellar Coltrane is literally growing up before our eyes.

Already, the movie has a score of 100% on Rotten Tomatoes and has garnered awards from the Berlin, San Francisco and Seattle International Film Festivals, and praise from top critics at Time, Rolling Stone and more.

Though I haven’t seen Boyhood, I’m a Linklater fan and suspect that his newest film deserves the hype. It shows a level of commitment you rarely see from directors today.

Boyhood open July 11 in limited release.

 

Public Transit

5 Jun

After a particularly grueling morning on the C-Train, I started wondering about movies that feature public transit and how it’s depicted.

In almost every movie there are scenes that take place on or around public transit (subway, bus, trains…and more). What I noticed is that very few movies take place exclusively on transit. 1994’s Speed is the only movie that comes to mind other than The Taking of Pelham 123. The problem is both movies fall into the action genre. Anyone who rides the bus or train with regularity knows that a horror movie should be made about transit. Think about it – crowds of strangers, the filth, the weirdos, power failures, nowhere to go…

What do you think?

Godzilla – Review

4 Jun

godzilla02

Ohh Godzilla. He first appeared in Ishiro Honda’s 1954 movie of the same name and has gone on to become the most famous movie monster of all time and a cultural phenomenon. There are more than 28 Japanese movies starring Godzilla and an American movie released in 1998 that was disappointing, and thankfully, forgotten.

Here we are in 2014 and an American studio has made its second attempt to reinvent the franchise. The film starts in Japan in 1999, where nuclear physicist Joe Brody (Bryan Cranston) detects seismic activity in the Philippines that eventually leads to several deaths at his nuclear power plant, including his wife (Juliette Binoche). 15 years later, Joe still investigates the strange readings that killed his wife much to the dismay of his adult son, Ford (Aaron Taylor-Johnson) and Ford’s wife, Elle (Elizabeth Olsen). After Joe is arrested for trespassing at the old nuclear power plant, Ford is forced to go to Japan and realizes that something strange and ominous is happening.

The first hour of the movie doesn’t show Godzilla, but director Gareth Edwards attempts to develop his characters. The most likable and relatable character is Joe. Despite having a fairly good cast, Cranston steals every scene he’s in and pulls off the confused heartbroken man very well. Second best is Ken Watanabe, who plays a scientist investigating Godzilla’s origins and believes that the monster “brings balance” to the world.

Aaron Taylor-Johnson and Elizabeth Olsen round out the main cast. Olsen is a great actress, but she gets lost in the shuffle and destruction of the movie. Taylor-Johnson seems to be a new leading man in Hollywood. Unfortunately his performance is flat and lifeless. His reactions to the deaths and chaos around him are disingenuous and wooden. By the time Godzilla appears, you lose interest in the cast and you just want the monsters to kick some ass.

Godzilla and the creatures he fights look amazing. The special effects are awesome and they did a great job of making Godzilla new, while still maintaining elements from the original Japanese movies.

Godzilla isn’t without its problems. There are some huge plot holes and hilarious one-liners, but it’s an entertaining summer movie and shouldn’t be taken too seriously.

 

Stargate Remake

30 May

A Stargate reboot/reimagining is in the works. The hope is that the remake will revitalize the franchise and be the start of a movie trilogy. The remake is being done by the original Stargate producer/director team of Dean Devlin and Roland Emmerich. The 1994 movie starred James Spader and Kurt Russell.

The reimaging by the original creative team is reminiscent of 2013’s Evil Dead remake that was produced by the original  director, Sam Raimi, and star, Bruce Campbell.

 

Creature with the Atom Brain

A Straightforward Guide to Horror Movies.

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